Arab Heat: The Review
Raging Stallion has billed Arab Heat as Tales of the Arabian Nights Part 3 but this is one of those times when the studio could be doing a disservice to the movie. Yes, it's true that the motif is the same found in the two-disc Tales of the Arabian Nights sextravaganza (directed by Ben Leon & Chris Ward) but really Arab Heat stands out on its own merits. Directed by Tony Dimarco you'll find plenty of the sexual heat promised in the title but it's also imbued with manly eroticism and some exceptional features that you won't find in the first movie. Simply stated, it's unforgettable.
Tony Dimarco very smartly wastes no time in Arab Heat by grabbing his audience with a distinctively beautiful opening scene. Shot outdoors Tony Aziz & Aybars are sitting on a lush terrace, using their hookah and having a discussion while a man-servant played by Dominic Pacifico waits on them. The instant hook here is that Tony Aziz speaks in native Arabic throughout the scene. In addition to the sets and the clothing, this touch gives the scene a timeless quality unmarred by what would be needless subtitles. Needless because all three performers do a masterful job of acting through their eyes and body language. Aybars registers slight shock when Dominic Pacifico begins to give complete service to master Tony Aziz. However Aybars is also immediately turned on and walks over to hopefully join in. The scene unfolds with deep passionate kissing and equally passionate cocksucking---no easy feat to convey in a porn flick. This leads to some fucking that varies between the erotic and hardcore. Each of the performers is given the opportunity to shine here and they really do make the most of it. Aybars is so luscious it's very hard not to be mesmerized by his masculinity beauty and soulfully sensitive eyes. Tony Aziz has these same qualities plus a seamless versatility that few performers can pull off. We already thought highly of Aziz as a performer...this scene is a starmarker. The only person who isn't a surprise here is Dominic Pacifico for a good reason--we already know how talented he is both as an actor & performer. He always manages to make it all look easy when it's obvious that it isn't.
The next scene with Adam Killian & Francesco D'Macho could be titled "Water, Water Everywhere" considering its abundant use and the way it's essentially a catalyst for all the sex action. We first see Adam Killian lying back on a huge windowsill, boned up and ready for action--even though it's obviously very hot and not exactly conducive to sexual activity. However, Adam strips down and plays with his rock hard cock and beautiful ass while demonstrating his very enviable flexibility. If this weren't enough Adam ladles some water from a nearby urn and douses his raging hard and twitching hole. After pouring enough of the cool water over himself Adam sits back, covered up and calmed down. That's when Francesco D'Macho struts in sporting a boner through his loose fitting pants and stands there pouring water from the urn over himself. The two guys are playing a hot game of seduction, exchanging lustful looks but refraining as long as possible from making physical contact--even when Francesco sits right next to Adam. Obviously there's something forbidden about this encounter because they remain covered up (barely) and this sexual tension is maddening.
When Adam Killian introduces even more water into the mix things finally open up between him and Francesco. They kiss slowly & deeply & suck on each other's cocks and keep on going until they start fucking--all while continuing to pour water on themselves. Even if you really love Francesco D'Macho you have to admit that Adam Killian is the star of this scene. The way he uses his whole body from his eyes to his near-ballet like moves he's just terrific and Francesco obviously loves getting fucked by him. It's all topped off with an orgasm from Adam that almost borders on being too intense for the sensual tone of the entire scene.
Again we shift to another setting not seen in the first movie: a courtyard in a desert oasis under the blazing afternoon sun. Here we find Alessio Romeo on his knees sucking on the enormos cock of a turban-wearing Antonio Biaggi who in turn is pouring a pitcher of water over him. That's about when the sensuous tone ends and the rough 'n' tumble tone begins. There's lots of spit, slobbering blowjobs and kisses, more water from the pitcher, rimming, fucking, and even more water from the pitcher. This is a very high energy scene that may seem a little out of place but it's a real eye-opener--and a game-changer. We love seeing Tony Dimarco challenging Antonio Biaggi to inject more dynamism into his scene---not usually Biaggi's style. It matches well with Alessio Romero's growing confidence as a performer who really puts himself out there.
The hookah makes a return appearance in the next scene with Damien Crosse lounging on a patio sucking & puffing away. The lure of it must be very strong because Bruno Bond pops up out of nowhere and Damien offers gives him the pipe to try out. Of course Bruno is more interested in the larger hookah pipe in Damien's pants. Damien lies back and continues to puff away while Bruno lovingly fondles and suckles on his cock. Eventually Damien Crosse gets up some energy to fuck Bruno Bond in a variety of positions before the two come but the scene is remarkably devoid of the kind of chemistry in the previous scenes. It's all very well-shot & well-paced but he scene needs a little more to stand out.
Things get a wet & wild again when we see David Dirdam under an outdoor shower in the courtyard oasis. As the water cascades over his hard muscled body he gets completely naked and plays with his cock. From a distance we see Tony Aziz walking towards the shower like a man with a purpose. Actually he does. He forcefully grabs Dirdam and pulls him took his chest for a hard kiss under the shower. They make out a bit more before Tony goes down on David, eats him out and starts fucking him under the water. Eventually they move out of the shower for some flip-flop fucking and --- maintaining a serious but passionate tone.
Tony Aziz has such a commanding presence in his two scenes that really he is the star of this movie. For many he's probably still considered an unknown thus he isn't on the DVD cover but after this movie, and depending on the size of his next role, we imagine that he'll be on a cover soon enough. It's very gratifying to see someone like Tony Aziz grow as a performer and become a full-fledged star.
If you are still horny after all this sex there's bonus material in the form of FOUR solos by Austin Wilde, Derrek Diamond, Aybars, Rocky Martinez & Alessio Romeo.
As we mentioned above Tony Dimarco puts his own touches in Arab Heat that make this movie stand out from the first two parts. That said he doesn't go too far as to make --but not too much as to seem totally unrelated. The more obvious elements include the different cast and the different settings. Tony Dimarco seemingly has a more intimate approach to his performers and the story in the scenes themselves. Dimarco accomplishes this with the talent of co-videographer Steve Cruz who did such a wonderful job on the first two parts. In addition Steve's presence here provides the just right amount of continuity to Arab Heat. When you add it all up Arab Heat isn't just unforgettable, it's a winner.
ı love tony aziz ı love dirham wooow thank you my best friends
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ı love my best friends
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